Nov
6
9:00 p.m.21:00

The Church Brewing Co: Planet Measha Live at the Church

International operatic superstar Measha Brueggergosman-Lee brings PLANET MEASHA to the Church. Her Zombie Blizzard album show–a unique blending of the classical concert aria and jazz-influenced art song in which composer Aaron Davis uses the visceral poetry of Margaret Atwood to tackle issues of sexism, humour, gender inequality, and grief - to the intimate altar at Church Brewing.

FIRST HALF - Zombie Blizzard with the maritime brass quintet.
SECOND HALF - Planet Measha performs Laureate with special musical guests and MC's.

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Oct
31
7:30 p.m.19:30

The Carleton: Measha Brueggergosman-Lee Performing Zombie Blizzard

International operatic superstar Measha Brueggergosman-Lee brings her Zombie Blizzard album showa unique blending of the classical concert aria and jazz-influenced art song in which composer Aaron Davis uses the visceral poetry of Margaret Atwood to tackle issues of sexism, humour, gender inequality, and grief – to the intimate confines of The Carleton on Thursday, October 31st. Show time is 7:30 PM and tickets, while they last, are $45 + HST.

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Oct
30
7:00 p.m.19:00

The Carleton: Measha Brueggergosman Lee 2nd Show!

International operatic superstar Measha Brueggergosman-Lee brings her second (the 1st show is SOLD OUT) Zombie Blizzard album showa unique blending of the classical concert aria and jazz-influenced art song in which composer Aaron Davis uses the visceral poetry of Margaret Atwood to tackle issues of sexism, humour, gender inequality, and grief – to the intimate confines of The Carleton on Wednesday, October 30th. Show time is 7 PM and tickets, while they last, are $45 + HST.

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Oct
28
7:30 p.m.19:30

National Sawdust: The American Premiere of Zombie Blizzard

As part of the National Sawdust program Measha and Aaron will perform “Zombie Blizzard”, a new song cycle that Aaron composed, setting Margaret Atwood’s poems to music. “Zombie Blizzard” has a unique blending of the classical concert aria and jazz-influenced art song where Atwood’s lyrics tackle issues of sexism, humour, gender inequality, and grief.

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